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Creators, Distributors, Censors: Eastman Rochester Studies in Ethnomusicology

Derek Bell

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Published in Burma S Pop Music Industry: Creators Distributors Censors (Eastman/Rochester Studies Ethnomusicology 1)

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Creators, Distributors, Censors: Eastman Rochester Studies in Ethnomusicology is a book that explores the complex relationship between creators, distributors, and censors in the music industry. The book is edited by Timothy Taylor and Steven Feld, and it features essays from a variety of scholars in the field of ethnomusicology.

The book is divided into three parts. The first part, "Creators," examines the role of musicians in the creation and dissemination of music. The second part, "Distributors," explores the role of record labels, publishers, and other organizations in the distribution of music. The third part, "Censors," examines the role of government and other institutions in the censorship of music.

Creators

The first part of the book, "Creators," examines the role of musicians in the creation and dissemination of music. The essays in this section explore a variety of topics, including the creative process, the role of tradition, and the impact of technology on music making.

Burma's Pop Music Industry: Creators, Distributors, Censors (Eastman/Rochester Studies Ethnomusicology Book 1)

by Heather MacLachlan

4.1 out of 5

Language	:	English
File size	:	13559 KB
Text-to-Speech	:	Enabled
Screen Reader	:	Supported
Enhanced typesetting	:	Enabled
Word Wise	:	Enabled
Print length	:	236 pages

One of the key themes that emerges from this section is the importance of creativity in the music industry. The authors argue that creativity is essential for the creation of new and innovative music, and that it is a vital part of the musical experience.

Another key theme that emerges from this section is the importance of tradition in the music industry. The authors argue that tradition provides a framework for musical creativity, and that it helps to shape the sound and style of music.

Finally, this section also explores the impact of technology on music making. The authors argue that technology is changing the way that music is created and disseminated, and that it is having a profound impact on the music industry.

Distributors

The second part of the book, "Distributors," explores the role of record labels, publishers, and other organizations in the distribution of music. The essays in this section explore a variety of topics, including the history of the music industry, the role of marketing in the music industry, and the impact of the internet on the music industry.

One of the key themes that emerges from this section is the importance of record labels in the music industry. The authors argue that record labels play a vital role in the development and promotion of new artists, and that they provide a vital source of funding for the music industry.

Another key theme that emerges from this section is the importance of marketing in the music industry. The authors argue that marketing is essential for the success of any music release, and that it plays a vital role in shaping the public's perception of music.

Finally, this section also explores the impact of the internet on the music industry. The authors argue that the internet is changing the way that music is distributed and consumed, and that it is having a profound impact on the music industry.

Censors

The third part of the book, "Censors," examines the role of government and other institutions in the censorship of music. The essays in this section explore a variety of topics, including the history of music censorship, the motives for music censorship, and the impact of music censorship on the music industry.

One of the key themes that emerges from this section is the importance of free speech in the music industry. The authors argue that free speech is essential for the creation of new and innovative music, and that it is a vital part of the musical experience.

Another key theme that emerges from this section is the importance of diversity in the music industry. The authors argue that diversity is essential for the health of the music industry, and that it helps to ensure that a wide range of voices are heard.

Finally, this section also explores the impact of music censorship on the music industry. The authors argue that music censorship can have a chilling effect on creativity, and that it can prevent new and innovative music from being heard.

Creators, Distributors, Censors: Eastman Rochester Studies in Ethnomusicology is a valuable resource for anyone who is interested in the music industry. The book provides a comprehensive overview of the complex relationship between creators, distributors, and censors, and it offers a variety of insights into the challenges and opportunities facing the music industry today.

Burma's Pop Music Industry: Creators, Distributors, Censors (Eastman/Rochester Studies Ethnomusicology Book 1)

by Heather MacLachlan

4.1 out of 5